Ryan Mosley
Ryan Mosley
Ryan Mosley (b. Chesterfield, UK, 1980) trained at the University of Huddersfield and Royal College of Art, London; the artist lives and works in Sheffield, UK.
Mosley’s visual universe is populated by an array of fantastical characters from harlequins and cabaret dancers, bearded musicians to unknown travellers. These oddball protagonists come together in delightfully inexplicable narratives that evoke a carnival world of surreal nightlife and macabre theatre. Although many of these characters are rooted in every day observation each one springs from the artists own imagination with many appearing recursively throughout Mosley’s work and thus taking on a lived quality. Verses in Time presents an artist continuing to push the notion of what figurative painting can be and contributing to its increasing relevance in the 21st century.
Ryan Mosley (b. 1980, Chesterfield, UK) Selected solo exhibitions include A Planets Revolution, Galerie EIGEN + ART, Berlin, Germany (2019); Rival Poets, Galerie Mikael Andersen, Copenhagen, Denmark (2019); Under Moon, Tim Van Laere Gallery, Antwerp, Belgium (2018); Anatamy of the Wall, Alison Jacques Gallery, London, UK (2016); Band of None, Susanne Vielmetter Los Angeles Projects, Los Angeles, USA (2014). Mosley’s works have been included in numerous group exhibitions including Radical Figures: Painting in the New Millenium, Whitechapel, London, UK (2020); Drawing Biennial 2019, Drawing Room, London, UK (2019); The Walls Have Ears, Aston Hall Museum, Birmingham, UK (2018); INTER YOUTH, Museum of China Academy of Art, Hangzhou, China (2017); PAINTERS' PAINTERS, Saatchi Gallery, London, UK (2016); Bühnenreif / 1. Akt (1900 - 2016), Arp Museum Bahnhof Rolandseck, Remagen, Germany (2016); One Day, Somthing Happens: Paintings of People, Leeds Art Gallery, Leeds, UK; Hayward Touring & Arts Council exhibition, UK (2015); June: A Painting Show, Sadie Coles HQ, London, UK (2015); 100 Painters of Tomorrow, Beers Contemporary, London, UK (2014); Nightfalls, MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary (2012); London Twelve, City Gallery Prague, Prague, Czech Republic and Museum of Modern Art, Baku, Azerbaijan (2012); Newspeak: British Art Now, Saatchi Gallery, London, UK, Hermitage, St Petersburg, Russia and Art Gallery of South Australia (2009-2011). His work can be found in numerous major institutional and private collections including Milwaukee Art Museum USA, Arts Council Collection UK, Burger Collection Germany, Saatchi Collection UK, Museum of Art, Rhode Island School of Design USA, The Box UK, Graves Gallery UK, and Royal Albert Memorial Museum UK.
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Ryan MosleyGhosts of Sisyphus, 2021Oil on linen210 x 180 cm
82 5/8 x 70 7/8 in -
Ryan MosleyQuantum Mass, 2012Oil on canvas220 x 190 cm
86 5/8 x 74 3/4 in -
Ryan MosleyBacchanal Poetics, 2016Oil on canvas220 x 185 cm
86 5/8 x 72 7/8 in -
Ryan MosleyHeadSwill, 2014Oil on linen100 x 80 cm
39 3/8 x 31 1/2 in -
Ryan MosleyPrimitive Ancestry XIV, 2011Oil on linen on wood panel91.4 x 76.2 cm
36 x 30 in -
Ryan MosleyThe Excursion, 2015Oil on linen36 x 30 cm
14 1/8 x 11 3/4 in -
Ryan MosleyWorks on paperOil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size) each
51 x 38.5 cm (framed size) each -
Ryan MosleyThe quiet Harlequin, 2020Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size) -
Ryan MosleyA new interior, 2020Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size) -
Ryan MosleyEvening light, 2020Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size) -
Ryan MosleyA proud Mother, 2020Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size) -
Ryan MosleySmoking & Thinking, 2019Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size) -
Ryan MosleyMan in a bowler, 2019Oil and charcoal on paper on canvas
Framed with anti-reflection glass
Archival framing42 x 29.5 cm (paper size)
51 x 38.5 cm (framed size)
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Land of the Lotus Eaters
Louise Alexander Gallery, Porto Cervo 2 Jul - 4 Sep 2022The epic poem 'The Odyssey' contains a reimagined map, illustrated by vividly transporting the reader on a grand voyage across land, sea, and air while entwining a tapestry of mythologies,...Read more -
Tiger in a Tropical Storm
Louise Alexander Gallery, Porto Cervo 1 Jul - 2 Sep 2021In the painting 'Tiger in a Tropical Storm', the viewer has happened upon a scene, perhaps hiding from the growling shiny-toothed tiger or sheltering beneath the palm trees from the...Read more