In his artistic practice, Taketo Muroi (Japan, 1978*) examines the conditions of photographic image production in the age of artificial intelligence. His works are not conceived as aesthetic experiments with AI, but rather as analytical image research that reflects perception, materiality, and power structures equally.
Taketo Murois' work combines media-historical thinking with contemporary AI practice. His works do not mark a break with the history of photography, but rather its consistent continuation under new technical and political conditions. They make visible how images are created today – and how they shape our understanding of reality.